Mr Happy And The Hammer Of God & Other Stories
By Martin Egblewogbe
Published by
Ayebia Clarke Publishing Ltd
ISBN 9780956930712
Category Short Stories
Summer 2013
Synopsis
These stories are not burdened by the African condition and those looking for a familiar Ghanaian/African setting will have to look elsewhere and yet the reader may recognize "my street, my city, my people’ because the stories are truly universal. Collectively, this book is a portrayal of inner struggles, torments and the psyche.
Author's Biography
Martin Egblewogbe was born in Ghana in 1975. He has a BS.c and M.Phil in Physics and is currently working on his Ph.D at the University of Ghana, Legon where he is a lecturer in the Department of Physics. He enjoys writing short stories and poetry in his spare time and has contributed to several anthologies.
Reviews
Dear All,
I thought I should share with you my impressions of a young Ghanaian writer, Martin Egblewogbe, whose short story collection -- Mr Happy and the Hammer of God -- I have just finished reading. Epithets like "fresh", "imaginative" and "exciting" are often marshalled to introduce new writers, but in the case of Mr Egblewogbe I think a set of strong superlatives are in order; extraordinary, excellent, and experimentally innovative barely capture my sense of what I have read. The short stories each conceal an enigma, sometimes of a profound existential kind, and at others merely due to some form of bafflement on the part of the protagonist of the story. Thus after every story you are required to pause in reflection. This also means the stories are best savoured slowly and one by one. The influence of master spinners of narrative enigmas such as Kafka and Beckett are well in evidence in the collection. What is perhaps most interesting about Mr Happy and the Hammer of God is that Mr Egblewogbe has devised a clever way of telling the stories so to betray only minimal geographical or and other locational markers. There is just one story that can readily be shown to be set in Accra. This form of placelessness thus gives the stories a universal appeal.
Ato Quayson, FGA
Professor of English and Director
Center for Diaspora and Transnational Studies